Awards

Architectural imagery has been a prominent subject in traditional Chinese paintings. It not only functions as a key element in the theme and composition of artworks, but also reflects real architectural forms that enrich the understanding of ancient architectural practice. However, disputes over the dating and authenticity of many surviving works have restricted the scope and reliability of their application in research.

This study focuses on architectural images in extant paper and silk based paintings of the Song and Yuan periods, applying the methods of typology and chronology from architectural archaeology to identify sensitive features and construct a refined framework for dating. Based on this, the study traces the formal evolution of architectural motifs and its historical drivers. Then, it extends to cross-media comparisons with murals, woodblock prints, and timber structures, thereby advancing knowledge of both representation and architectural form.